It’s impossible. A horn section in Burkina Faso backs a string quartet in Lyon, France, together with guitarists in Nepal and Madrid while a choir in Manila supports the singer in Haiti and an African kora soloist, and we aren’t halfway through the video. Everyone plays outside, in city streets, courtyards, in front of temples, in marketplaces, train yards, beaches, jungles and deserts, visuals that immediately impart a compelling sense of that place. Each player brings nuances from their own musical culture, resulting in a fresh and distinct feel. One could write a book just about these rhythmic confluences. As a Playing For Change Foundation school teacher observed, “it’s where all cultural diversities collide into one beautiful harmony.”

Informed by years of recording studio experience and powered by his love and utter faith in music, Mark Johnson pursued his vision of traveling songs around the world to bring people together.  Along with co-founder Whitney Kroenke Silverstein, they’ve grown a single such video, “Stand By Me,” into an international movement. It’s a new art form, a sound engineer’s vision. And in this moment that finds us isolated by Covid and wounded by the toxins coursing through our social media, they prove that such technology can also unite through the intimacy and immediacy of music.

The hundreds of songs he’s recorded and filmed take many forms. Some for the pure joy of  music, some for healing by embracing different sides within a violence-torn country like Colombia, or between musicians at home and expatriated across the world as with Cuba, or between Israelis and Palestinians, or only with children. In the process they have recorded more than 1200 musicians in over sixty countries, generated over a billion YouTube hits, created a touring band, founded the Playing For Change Foundation — a separate 501(c)(3) organization that currently supports fifteen music and arts schools in eleven countries,  and partnered with the UN for a global virtual event in celebration of their 75th anniversary.

Today we talk with Mark about how he made all this happen, building schools, producing concerts and especially his trust in music and what it’s like to circle the globe with songs in search of musicians and dancers.

Please check out both their organization and foundation websites (links in the show notes below) to read about their many awards, videos, partners, and supporters.   

“It’s an unbroken chain of human connectivity, one to the next that keeps going around and around the world.”

 

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MarkJohnsonCropped.jpg
 

Show Notes

Playing For Change:

Playing For Change Organization (.com): Explore this site for the hundreds of great videos from Songs Around the World, Playing For Change Live Outside, Playing For Change Touring Band, and events like the U.N. 75th Anniversary via Peace Through Music. It also offers brief biographies of all the musicians we’ve discussed here, blogs, updates on current events and more.

Playing For Change Foundation (.org): Founded in 2007, this site contains links and videos to their work centering on building music, dance and art schools around the world to engage marginalized youth in diverse communities. These communities could be considered poor, but home to great cultural wealth, which we use to create educational and social opportunities.

Mission Statement

One of their schools - L'Ecole de musique de Kirina

Donate

Select Videos:

Higher Ground

Love Train

Celebration

Walking Blues

War/No More Trouble

Additional Notes:

Eliade, Mircea, “Shamanism: Archaic Techniques of Ecstasy”  translated into English by Willard R. Trask, Princeton University Press 1964.

Kora

Shekere

Ngoni

Krakeb

Japanese Shamisen

Bina Harmonium

Tama or Talking Drum

Irish Bodhrán hand drum

Salif Keita

 

CREDITS

Theme music by The Observatory